This is just a short notice that Coco Karol – one of our fellow Misnomer dancers – will perform her own choreography at the Symphony Space in NYC tonight. The contemporary music organization Ear to Mind announces its first production, Live Art, featuring the performance by Coco.

We like to feature our dancer`s own choreographies and will continue to share notices of the dancers various adventures. Chris will be in the audience tonight so say hi if you´re there!

Friday, April 22^nd, 2011, 8pm
At Leonard Nimoy Thalia at Peter Norton Symphony Space, New York
Get tickets here

Deaton Jones, a student at Columbia University who grew up in the South, shares with us his thoughts on a recent performance by Misnomer Dance Theater. While the troupe’s name declares a cheeky skepticism towards audience members’ or critics’ attempts to interpret what they’re observing on stage, we think Deaton’s done a pretty swell—and brave—job of offering up his perspective. It’s not everyday in NYC that you come across a mind unjaded, and so we’re excited to hear more from Deaton as he explores the city and its cultural offerings with an unusually fresh and open eye.

A few days ago, I attended a performance at the Baryshnikov Arts Center by the Misnomer Dance Theater. Rather than marveling at graceful pirouettes or effortless lifts, I found myself captivated in a search for the dances’ meanings.

Modern dance is still relatively new to me, as I have only a little bit of first-hand experience in hip hop and ballroom. Interpretive in style, the Misnomer performance served as medium for storytelling. The performance reminded me of the music of band The Dirty Projectors. The Dirty Projectors are an indie/experimental rock band out of Brooklyn – they’ve been around for quite a few years now, but I only recently started exploring their music. I am often caught off guard by the group’s juxtaposition of octaves and unsuspecting use of instruments.

The Misnomer performance echoed this emphasis on juxtaposition. The abstract performance took place in a studio named after one of the greatest ballet—a type of movement considered more traditional—dancers of all time. The performers’ outfits ranged from everyday wear to full on, alien-like costume. I was often caught off guard by Misnomer’s interpretation of what constitutes “prop.” At a point in the performance, one of the dancers crawled on top of another dancer and then wrapped himself horizontally around the other dancer before shimmying his way to the floor. I would have never thought to use another person as a type of “pole” before seeing this take place.

I applaud the Misnomer Dancer Theater for promoting innovation. It was obvious that the choreographer and dancers pushed themselves to achieve a unique performance aesthetic. Audience members may not always understand, spot-on, the meaning of their performances, but they can be sure of one thing: attending a Misnomer show means bearing witness to something refreshing and unusual.

- Deaton

A reply from Chris Elam, Misnomer’s Artistic Director:

Hi Deaton,

Thanks for attending our show and for writing your post. I don’t know if you know this, but if not, it’s ironic that you mentioned the Dirty Projectors in your post about our show. They were actually in the audience that day

Glad to share the art with you and appreciate your curiousity!

- Chris Elam

You can read this article and respond to it here.