Archive for April, 2007 Page 2 of 2



Misnomer participates in ThinkTank

There has been lots of change and momentum in the past week. We have been preparing for our show. Outside the theater, however, there is even bigger news…

 

fuel4arts logo

On April 2nd, fuel4Arts is hosting a think tank with Misnomer as participants. The think tank will explore different approaches to audience collaboration, focusing in particular on how new web technologies [blogs, etc] can be used to engage customers as partners in the production and/or marketing of art. The main focus will be on methods which allow artists to bypass traditional gatekeepers and connect directly with audiences/participants [that’s you].

Methods canvassed will include customised production, blogs, customer reviews, wikis, social networking, viral marketing, word of mouth and DIY media. Participants will share their experience of such methods to date and pose their own questions and challenges as to the best way forward. Jerry Yoshitomi will act as a mentor for the think tank participants (thank you Jerry!).

Dates

The think tank will run from Monday 2 – Friday 13 April 2007.

BIO: Jerry Yoshitomi

Jerry Yoshitomi is a leading international cultural facilitator. He is engaged by public arts agencies and foundations in North America, Australia and New Zealand to read, research, provoke, and speak on increasing participation in the arts, creativity, knowledge management, contemporary leadership practices, and recognising the public value of the arts. Jerry serves as the consultant on Information and Network Strategies for LINC (Leveraging Investments in Creativity, a national initiative to improve the living/working conditions of artists) and facilitator for a collaborative of performing arts presenters at major research universities.

Business Week features Misnomer for Motion Capture

misnomer on business week

As part of a feature on Motion Capture, Business Week included Misnomer’s work in the realm of motion capture. If you don’t know what motion capture is, think Golem in Lord of the Rings. Cameras sense infrared sensitive markers, or balls, placed on your body. Each marker is a point or joint to track. After the camera and computer track all the points, a person can use those points for an animation.

The Business Week feature does a real nice job of laying out who is using Motion Capture and why. For a great explanation [and interesting use] of Motion Capture, I recommend you watch Chris Bregler, NYU faculty, speak about his work.

You can also see how Misnomer and Tronic Studios teamed up to create an animation for the international RES digital Film Festival.

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