Deaton Jones, a student at Columbia University who grew up in the South, shares with us his thoughts on a recent performance by Misnomer Dance Theater. While the troupe’s name declares a cheeky skepticism towards audience members’ or critics’ attempts to interpret what they’re observing on stage, we think Deaton’s done a pretty swell—and brave—job of offering up his perspective. It’s not everyday in NYC that you come across a mind unjaded, and so we’re excited to hear more from Deaton as he explores the city and its cultural offerings with an unusually fresh and open eye.

A few days ago, I attended a performance at the Baryshnikov Arts Center by the Misnomer Dance Theater. Rather than marveling at graceful pirouettes or effortless lifts, I found myself captivated in a search for the dances’ meanings.

Modern dance is still relatively new to me, as I have only a little bit of first-hand experience in hip hop and ballroom. Interpretive in style, the Misnomer performance served as medium for storytelling. The performance reminded me of the music of band The Dirty Projectors. The Dirty Projectors are an indie/experimental rock band out of Brooklyn – they’ve been around for quite a few years now, but I only recently started exploring their music. I am often caught off guard by the group’s juxtaposition of octaves and unsuspecting use of instruments.

The Misnomer performance echoed this emphasis on juxtaposition. The abstract performance took place in a studio named after one of the greatest ballet—a type of movement considered more traditional—dancers of all time. The performers’ outfits ranged from everyday wear to full on, alien-like costume. I was often caught off guard by Misnomer’s interpretation of what constitutes “prop.” At a point in the performance, one of the dancers crawled on top of another dancer and then wrapped himself horizontally around the other dancer before shimmying his way to the floor. I would have never thought to use another person as a type of “pole” before seeing this take place.

I applaud the Misnomer Dancer Theater for promoting innovation. It was obvious that the choreographer and dancers pushed themselves to achieve a unique performance aesthetic. Audience members may not always understand, spot-on, the meaning of their performances, but they can be sure of one thing: attending a Misnomer show means bearing witness to something refreshing and unusual.

- Deaton

A reply from Chris Elam, Misnomer’s Artistic Director:

Hi Deaton,

Thanks for attending our show and for writing your post. I don’t know if you know this, but if not, it’s ironic that you mentioned the Dirty Projectors in your post about our show. They were actually in the audience that day

Glad to share the art with you and appreciate your curiousity!

- Chris Elam

You can read this article and respond to it here.

Misnomer's Jennifer Harmer directs models at the Sand County photo shoot.

On October 25th, Misnomer had the pleasure of being involved in a very cool collaborative photo shoot with photographer Tanit Sakakini and Nightjar Creative in Brooklyn, NY. Jennifer Harmer choreographed the shoot – translating Misnomer’s signature movement vocabulary into still shots. Jenny Campbell was one of thirty models involved in the day long shoot outside of 3rd Ward.

Misnomer is honored to receive new major support for our Audience Engagement Platform (AEP) through Dance/USA’s “Engaging Dance Audiences” program. We were one of nine organizations selected from 179 submissions by this new national funding program established by the Doris Duke Foundaton and the James Irvine Foundation.

For more information on AEP – visit misnomer.org. or email aep@misnomer.org.