This article includes a comprehensive review of online initiatives in dance, including the great work of Kristin Sloan and Doug Fox.

You can read the full article as a PDF.

If you have thoughts about the ways that we are using the web, feedback about your experiences with Misnomer online or in the theater, or suggestions for how we can further improve the ways we share our work with you online, please let us know with a comment.

Elam’s company, Misnomer Dance Theater, never ceases to impress with their connectivity and subtle-to-intense emotional interactions. It’s the abruptness of the movements—a dancer will stand completely still for moments, then all of the sudden throw herself onto the back of another dancer—that make Elam’s choreography so intense. It’s strangely comfortable to watch, as if you are having a pleasant, but non-linear, bizarre dream.

Check out the full review here

Seeing Elam’s work and Keigwin’s in one night certainly emphasizes the contrasts between them…Elam is a true original, and his vision of humans as awkward, naïve, and eager is both comical and curiously touching.

I also really enjoyed what she wrote about Keigwin:

Larry Keigwin may not need Broadway, but Broadway could certainly use him.

Be it film, motion capture, or video games, it is interesting to think that while either choreographer could work on Broadway, they could very easily work in many other venues outside the traditional performance space. To me, that is a very exciting idea.