Seeing Elam’s work and Keigwin’s in one night certainly emphasizes the contrasts between them…Elam is a true original, and his vision of humans as awkward, naïve, and eager is both comical and curiously touching.

I also really enjoyed what she wrote about Keigwin:

Larry Keigwin may not need Broadway, but Broadway could certainly use him.

Be it film, motion capture, or video games, it is interesting to think that while either choreographer could work on Broadway, they could very easily work in many other venues outside the traditional performance space. To me, that is a very exciting idea.

Keigwin’s pieces were phenomenal – if you missed the show, I hope you’ll have another chance to catch this incredibly lively company. Keigwin did a great job in combining popular culture with experimental dance. The dancers were not only graceful and athletic, but they were acrobatic as well. I really enjoyed the infusion of the Capoiera choreography throughout the second piece, Natural Selection.

These photos below were taken during our Saturday performance of Future Perfect. I was hoping to upload these during the show, but there was no cell phone coverage backstage. While there was no cell phone coverage, there was wifi coverage. Maybe next show, I’ll stream video via Quicktime Broadcaster! Has anyone tried that before? In any case, enjoy the photos!

Coco awaiting her turn

A DV Camera, backstage
* Originally uploaded by iDance.

For another great GoogleMaps Mashup, see the 4EyedMonsters website.